The trajectory of Hilario Bravo It is characterized by the constant search for new plastic formulas.

In the 1980s, the German printmaking tradition and its revival of primitive art had a profound impact on Bravo's creative spirit. His studies in European museums of South Sea, African, and Asian cultures also instilled in him a growing and progressive interest in other cultures.

During his travels, he records his experiences in field notebooks and diaries, such as those in which he pours out his creative work based on thoughtful reinterpretations of what he has read: The burning water. Mozarabic jarchas (1997) The feather and the thorn (2011) o Fool. Memoirs of a timid satyr and poet (2013).

She has participated in exhibitions throughout Spain, as well as in Europe, the United States, Israel, and Mexico. Her works can be admired in collections such as those of the Bank of Spain, the National Library, the Ministry of Culture, the Ministry of Foreign Affairs, and the Fundación Colegio del Rey.

As a printmaker, he received the VI National Prize from the Spanish Museum of Contemporary Printmaking in Marbella (1999). Bravo's work is also recognized with awards from various institutions, including the prize awarded by the Spanish Academy of Fine Arts in Rome, the Gregorio Prieto National Drawing Competition, the Constitution Prize from the Regional Government of Extremadura, the Extremadura Prize for Creation, and the Extremadura Regional Government Literary Creation Grant.

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