Just as neorealism had narrated and captured in images the difficult times of the postwar period, this "Italian-style comedy" thrived, in its early years, on the ground of the economic boom then being experienced on the Iberian Peninsula, relentlessly X-raying the transformation of the country and the evolution of the customs and characters that accompanied it […] Relegated from the forefront of a very extensive filmography that boasts several peaks of piercing darkness, it is a film that richly deserves to be rediscovered […] (Nicolas Le Thierry d'Ennequin)