During summer vacation, a documentary filmmaker and his 12-year-old son stay in an abandoned Lisbon hotel, an empty establishment reminiscent of Kubrick's horror classic 'The Shining'. The preteen is tormented by tales of ghosts and monsters, and during their stay in the Portuguese capital, new and disturbing presences appear: the specter of Portugal's first serial killer and the shadows of men who suddenly descend into a state of rage and abandon their families. For the adult, the filmed experience becomes a mirror reflecting his existential anxieties: the father-son relationship, memories of the past, and responsibility for the future. Sergio Oksman's latest project ('O futebol'), by a director known for blurring the lines between documentary and fiction, is an existential laboratory.