This catalog, published months after the exposure namesake held in el Círculo de Bellas Artes [does not exist]], is more than just a collection of unfinished or spectral works: its pages also offer a retrospective reading of the possible itineraries contained or hinted at in the exhibition. Finally, the catalogue includes a fragmentary essay by art critic Miguel Copón that engages in an in-depth dialogue with the work of nacho bred, revealing its keys and knots of meaning.